An Ancient Japanese Temple – Tower of Yasaka
Dropping My Camera
In a narrow, dark Kyoto street I sat on the floor, composing an image. A noise behind me forced me to look over my should, to make sure there weren’t any cars coming towards me. As I did so, I heard a loud ‘Crack’. I turned to find my camera face down.
As I picked it up panic set in. The inbuilt lens hood on the Nikkor 14-24mm had broken and cracked. Pieces of it were scattered on the floor. There’s a slight tight spot on the focus ring at about 17mm, but other than that all seems well. I’ll send it in for a repair, just in case.
I shot this image moments after the incident without any difficulty. It’s not a nice feeling when you see your favourite piece of machinery fall to the floor…or get swept out to sea…or be stolen from you; all of which I’ve had the displeasure of experiencing – such is the life of a photographer!
The Cool Bits – Technical Info
Processing Time: 45 minutes
Exposure Blending method: Luminosity Masks
No. of Exposures: 4
EV Range: N/A
Aperture: f/22
ISO: 100
Focal Length: 24mm
Lens: Nikkor 14-24mm f/2.8
Camera: Nikon D800
Plugins: N/A
Luminosity Masks: Brights 5 for the street lights, and Darks 5 to recover the shadows.
An Ancient Japanese Temple – Tower of Yasaka
To learn my post-processing techniques, feel free to check out my courses: The Art of Digital Blending & The Art of Cityscape Photography
This was a particularly fun image to process. In terms of shooting, I used an extremely small aperture in order to extend the shutter speed. Tourists were walking up and down the street and a 13 second exposure time was enough to ghost them out. The added benefit is the strong starburst on the street lamp, which I didn’t get at f/11 in a previous shot.
I used two darker exposures to recover information in the street lamps. Choosing Brights 5 luminosity masks, I blended each exposure in at 50%. I used one exposure 1 stop brighter to recover the shadows a touch. I purposefully kept this image extremely dark, to enhance mood, and with soft contrast to give a more magical feel. I even applied the Orton effect to the buildings on the right and left, to soften the image even more.
I chose a low-down shot because I love near foreground textures, and the road seemed ideal for that. However, the road was too bright, and lacked contrast, so I darkened it with a Curves layer.
I painted in a soft yellow glow around the nearest light using the technique I used in my last image to soften the light. You can see it here: Nature’s Skyscrapers – Kyoto Bamboo Forest
Thanks to Elia Locardi for the inspiration to go here. You can check out his image here: The Soul of Kyoto.
This entry was posted on Monday, October 20th, 2014 at 5:18 pm
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